DC's New 52 Logos

Newsarama has posted an exclusive look at the new logos for all 52 of the books launching in September. Here are my thoughts!

The Good:

Batgirl and Batman

Batwoman and Catwoman. We've seen the Batwoman logo before, on the Batwoman Elegy collection and Batwoman #0. I really love the Catwoman logo. It feels more wild than the previous logos.

The Bad:

Honestly, there were no logos that I found outright bad.

Nightwing's logo feels a little evocative of the Batman & Robin movie from 1997. But that may just be me. I still don't think it's "bad."

Justice League Dark. This one is less bad and more boring.

Wonder Woman. Again, not outright bad, just a little boring.



There were also quite a few books that didn't change logos at all, including Batman and Robin, Green Lantern, Green Lantern Corps, Superman, Superboy, and Supergirl.

Check out all 52 of the new logos at Newsarama!

Comic Reviews: (Late) August 10th, 2011 and August 17th, 2011

Sorry I'm running a little late this week, and a little small. Financial woes have affected my comic buying habits. This is two weeks worth of reviews! Ready?! Ready!

Lady Death #08
Written by Brian Pulido and Mike Wolfer
Art by Gabriel Andrade, Digikore Studios (colors)
Released August 10, 2011
Boundless Comics
Rating: 3.8 out of 5

Lady Death is a bit of an enigma to me. I have read Lady Death comics on and off since her inception. Granted, I was a young boy when her first series started. I found the worlds being created absolutely fascinating. As I grew older, little things started to bother me. Why was it necessary for her to wear so little? Why did the series seem so intent on exploiting women? Why does it all seem like the sexual fantasies of a teenage boy? Despite all of that (and some less than stellar writing), I am still very drawn to her world. The dark fantasy, the magic, the evil.

Lady Death has returned to the Under Realm, though her power has not fully returned. Having halted Death Queen's plans and reunited with Wargoth, Lady Death travels to New Aberffraw to attempt to recruit members for her rebellion. There, she is reunited with an old friend, Satasha. Though Satasha is now one of the queens of New Aberffraw, she is in no hurry to join Lady Death's rebellion against Death Queen. Lady Death is still not quite herself, and she hasn't figured out why.

One of my favorite things about this series is how well it works on its own. When Lady Death moved to Avatar Press, she got a make-over of sorts. New origin story, new history, new cast. I don't have any experience with Lady Death at Avatar Press beyond this series and the first Lady Death Origins trade. While there are some things I feel I'd understand better if I had read her previous Avatar runs, I don't feel that it's to the detriment of this series. The series works so well on its own that you don't need extensive previous knowledge with the character.

Though I have been a fan of Lady Death for a long while, I have not been a huge fan of Brian Pulido's writing. In previous incarnations, it always felt very amateur. He has certainly improved with time. But adding writing partner Mike Wolfer has made this one of the best written runs in Lady Death's history. The lore behind the events is shared in small, tantalizing bites. The dialogue is varied; unlike pre-Avatar Lady Death, it doesn't feel like everyone's dialogue is coming from one person. Everyone's unique personalities stand out well. The art... I can't put my finger on precisely why, but I love the art for this series. Gabriel Andrade creates a nightmarish fantasy world that's dark yet colorful. His characters express emotion clearly. The magic feels powerful. It works very well for the series.

If you have any interest in the character of Lady Death, I highly suggest checking out Avatar's Lady Death Origins, Volume 01 trade, featuring her current origin story. Should you find yourself enjoying the characters and their worlds, pick up the issues of the current series. It's been very enjoyable.


There's a joke making its way around the comic book fandom. I think web comic The Gutters did it best. What do packing peanuts and DC's August releases have in common? They're both filler. Two series that I loved ended their runs this week to make way for DC's New 52. Unfortunately, rather than take a great opportunity to wrap up the story lines and have grand farewell-for-now issues, DC decide to just release normal issues.

The problem with that, you ask? They're setting up future story lines that will probably never be visited again for two characters that, thus far, do not have their own solo titles post-New 52.

Power Girl #27
Written by Matthew Sturges
Art by Hendry Prasetya, Jessica Kholinne (colors), Travis Lanham (letters), Sami Basri (cover), Sunny Gho (cover colors)
Sixty Seconds
Released August 17, 2011
DC Comics
Rating: 4.2 out of 5 / 1.3 out of 5

Why two ratings? I had to evaluate this issue from two perspectives. The first being an issue on its own. The second being the final issue of the series. Power Girl has exactly sixty seconds to avert three manufactured disasters around the world. The purpose was to determine which disaster was deemed most important: the life of a colleague and friend, the life of an innocent person who plays no large role in the world, or the lives of many people and a priceless monument.

As has been the case since the start of Power Girl's solo series, the issue was a joy to read. Power Girl is finally being developed beyond the angry Kryptonian. They're showing that she's smart, she's strong, and she has a sense of humor. While this was only Matthew Sturges' second issue on the Power Girl solo series, he's writing as if he wants to be on the series for a very long time. He has a clear understanding of Power Girl and her motivations, and it shows. The art is beautiful and very appropriate for the series without being all about Power Girl's...ahem, assets. It's a little cartoonish, but I feel that the cartoon style works incredibly well for a series like Power Girl.

As a standalone issue, or an issue of a running series, this issue was very good. It shows Power Girl at her smartest and most caring. It sets up a new rivalry for Power Girl (well, new to her solo adventures). Most importantly, it's very enjoyable. As a final issue to a series I have loved, it fails miserably. There was no attempt at a wrap-up. There was no feeling of closure. I've read that Matthew Sturges wrote this issue to be the beginning of a long-running subplot in the series. He had no idea that it would be the final issue of the series. I really hope DC decides to not only bring Power Girl back into her own solo series, but also bring Matthew Sturges back to continue his work.

And the other title that ended unceremoniously.....

Zatanna #16
Written by Adam Beechen
Art by Victor Ibanez, Ego (colors), Dave Sharpe (letters), and Adam Hughes (cover)
Sorceress' Apprentice
Released August 17, 2011
DC Comics
Rating: 4.3 out of 5 / 1.9 out of 5 (Once again, two ratings for two view points.)

The only thing Zatanna wants is to sleep. But that won't be easy when Uriah, a young boy from Limbo Town shows up at Shadowcrest Mansion. He claims he wants to be Zatanna's apprentice; however, he's actually there to steal a very powerful magical object from Zatanna.

This was Adam Beechen's fourth issue of Zatanna. I feel very strongly that he is one of the writers to full understand the character. She's fun and playful, but powerful and intelligent. Every side of her personality shows in this issue. And Victor Ibanez's art is flawless. The art is dark and foreboding, and very befitting of a magical book, such as this. The writing and artwork fit together perfectly to create a book that feels much more like a Vertigo title than a DC title.

As a standalone story, this issue holds up incredibly well with the Zatanna series. There has not been a single issue that I haven't loved. As a final issue of a series, it accomplishes nothing. While it was nice that, unlike Power Girl, it wasn't setting up future events, it still would have been nice to end on a note that feels more complete. I'm not trying to say that they needed to wrap up every single story arc in this one issue. That'd be absurd. But it would have been nice if this issue felt more like a final issue.

I imagine, as with Power Girl, when it was written, Adam Beechen probably didn't realize that it would be the final issue. That's understandable. I just hope that both Power Girl and Zatanna get their own solo books post-New 52. Both of these titles have been at the top of my pull list since they started, and they never dropped in quality.

DC Comic Solicitations, November 2011

DC just released their solicitations for November 2011. Let's take a look at some of the highlights!

Check out my post about November's Wonder Woman related solicits over at Champion of Themyscira!

Justice League #03
Justice League is one of the New 52 that I am most excited about. Geoff Johns and Jim Lee? That's could be a winning combination. The solicit text is tantalizingly vague, but it seems like Wonder Woman makes her official introduction to the Justice League in this issue. I'm interested in seeing what the threat is that brings all these different heroes together for the first time.

Justice League International #03

I have to admit something: I've only read the first trade of Justice League International. I loved it, but I haven't had the chance to read the entire run (something I am looking forward to doing). I did, however, read all of Justice League: Generation Lost. I enjoyed it enough that when the last page revealed a new Justice League International series, I knew I would be purchasing it. And add Aaron Lopresti's art to it? Sold.

This cover, however, is odd. It's a David Finch cover, but the solicitation text says "Cover by Aaron Lopresti." Not final art?

Savage Hawkman #03

I have never been a big fan of Hawkman. That mostly comes from how little I've seen him. The few things I have seen him in were terrible (cough Brightest Day cough). But I've come to really be a fan of Tony S. Daniel's writing. And Philip Tan's art is gorgeous. As such, I'll definitely give this book the One Story Arc test.

Supergirl #03

Can they finally make Supergirl an interesting character? I hope so (especially since Power Girl doesn't seem to exist anymore). I know nothing of the writer and artist on this series, so I have no bias about either of them. They have a good opportunity to make me fall in love with a character I've generally felt nothing for.

Catwoman #03

I am so glad that Catwoman is finally getting her solo book back. Don't get me wrong. There were some decent stories in Gotham City Sirens. But I don't care much for the other two characters. I only read it for Selina. I really hope that this book is spectacular and runs for years. I also hope it draws people into the Catwoman fandom.

Batwoman #03

If I have to say anything at all to you about Batwoman, that shows me that you did not read Detective Comics issues #854-863 or the Batwoman: Elegy trade (do yourself a favor and buy it now). Batwoman is poised to become one of the best books put out by DC. If you like Vertigo books, but also like superheroes, this is the book for you.

Chase TPB

I know nothing about this. This solicitation is the first time I've ever even heard of this series. However, since the solicits came out, so many people I respect have said this is amazing. Therefore, I will get it.

Other things I will definitely get:
Superman #03 (Grant Morrison, hopefully not being needlessly confusing and pretentious)
Action Comics #03 (George Perez!)
Superboy #03
Batman #03 (Scott Snyder!)
Detective Comics #03 (Tony S. Daniel!)
Batman and Robin #03
Birds of Prey #03 (One of my favorite teams, but this book doesn't really call to me; here's hoping it's great)
Batgirl #03 (I don't care that she can walk again; I love Babs stories)
The Huntress #02
Nightwing #03 (Dick's run as Batman made me realize that I really like him)
Green Lantern #03, Green Lantern Corps #03, Green Lantern: The New Guardians #03, Red Lanterns #03 (Because I can't get enough Green Lantern? I guess)
Justice League Dark #03 (Zatanna!)
Swamp Thing #03
Animal Man #03
Teen Titans #03 (I am really interested in this new take on Wonder Girl/Cassie)


Other Things I May Pick Up:
The Fury of Firestorm (I have very little interest in the character, but I love Gail Simone)
The Shade
I, Vampire
Stormwatch
Voodoo (I really like Ron Marz)
Blackhawks #03 (Depending on Zinda's appearances)

Things I Will Absolutely Not Get Ever:
Hawk and Dove (As much as I like the character of Dove, I cannot stand to look at Rob Liefeld's ridiculously terrible "artwork" without filling with anger)

Comics Reviews: Week of August 3rd, 2011

Flashpoint: Secret Seven #03
Written by Peter Milligan
Art by Fernando Blanco (layouts), Scott Koblish (finishes), Brian Buccellato (colors), Rob Leigh (letters), George Perez and Tom Smith (cover)
Part Three: The Area of Madness
Released August 03, 2011
DC Comics
Rating: 1.8 out of 5

SPOILERS
As I said in a previous post, I am not reading every Flashpoint miniseries, just the ones that interest me. I had picked up the Flashpoint: Secret Seven series because it was about some of the magical characters in the Flashpoint DC Universe, and George Perez was doing some of the art (for issue 01). After reading all three issues of the series and seeing a character I adore come back solely to be immediately killed, I can say I wish I had never picked up a single issue of this series.

Shade the Changing Man and Enchantress are confronted by three of the remaining four members of the (Mindwarp, "Zatanna", and Raven). Abra Kadabra has outed them to the public. Shade killed Amethyst, Princess of Gemworld, and now Zatanna seeks retribution. Shade and Enchantress battle Zatanna, Raven, and Mindwarp. In the end, almost everyone loses. Zatanna, Mindwarp, and Raven all die. Shade is more insane than usual. And Enchantress turns out to be working for the Amazons.

I always wonder what role event miniseries such as this one play in the grand scheme of things. Overall, I can say this had no bearing whatsoever on the main story line, and bordered on unnecessary. The writing was good for what it was. The art was very strong, and the battle scenes were great. But the feeling I got very early on that this book was complete filler was strong and unshakable. After reading the issue, it was very clear to me that this issue was meant to do nothing more than fill out DC's schedule for the month.

Also, who in their right mind thought that this was an appropriate look for Zatanna? This is one of the worst interpretations I have ever seen of any character. If this is the Flashpoint version of Zatanna, I am very glad that she is dead.

Flashpoint: World of Flashpoint #03
Written by Rex Ogle
Art by Eduardo Francisco (art), Stefani Renee (colors), Travis Lanham (letters), Brett Booth, Norm Rapmund, and Andrew Dalhouse (cover)
This is the World We Hope For
Released August 03, 2011
DC Comics
Rating: 2 out of 5

Once again I am treated to a book about magic and once again it proves to be completely pointless. Traci-13 must stop her dad from annihilating 118 million people in an attempt to stop the Amazon/Atlantean War. How does she do this? By going into the midst of a large battle. Her gamble paid off. Her father stopped the satellite from firing in an attempt to save his daughter. She then uses the last of her magical powers to save him from the vacuum of space.

Writing: Check. There was definitely writing. Art: A little cartoony, but still good. Joy at reading the issue: None. Just like the Flashpoint: Secret Seven series, World of Flashpoint seemed to me to serve no purpose other than filling DC's schedule a bit. Everything that happened in the series was rendered unimportant by the close of the series. I liked the character of Traci-13, and I hope she appears elsewhere in the future (perhaps to make a difference somewhere, not to do essentially nothing). However, for the second time this week, I found myself wishing I had not wasted my time buying any of this series. It's a shame.

The Punisher #01
Written by Greg Rucka
Art by Marco Checchetto (art), Matt Hollingworth (colors), VC's Joe Caramagna (letters), and Bryan Hitch, Paul Neary, and Paul Mounts (cover)
Punisher: One
Released August 03, 2011
Marvel Comics
Rating: 3.3 out of 5

I've never been a fan of Punisher. Aside from an appearance in Runaways, he was never a character that even remotely drew any interest to me. I never listened when people described his tales to me (though I was familiar with his origin story). I have never flipped through an issue of his series just to see what was going on. The character held zero interest for me. The only reason I picked up this issue was because of Greg Rucka. I haven't read anything by Rucka that I haven't enjoyed, so I figured I'd give this one a shot.

This issue contains two stories. In the first, a military wedding is shot up and no one understands why. Cops discover who is behind it, and the Punisher takes care of it. In the second, we're privy to a police interview. Detective Walter Bolt tells the story of how his partner died, but we are shown a slightly different take on the events.

When summarized like this, it doesn't sound very compelling. Even after reading this, I still have very little interest in the character of the Punisher. However, Greg Rucka has managed, with very few words, to hold my interest. Marco Checchetto's wonderful and dark art certainly helped in this matter. I honestly don't have any strong feelings one way or the other about the series other than this: I will continue reading it, at least until I decide I really don't like it (which may be never). It's a pretty strong first issue. I'm sure Greg Rucka can keep it that strong.

DC Comics' commitment to diversity.

DC Comics has been getting a lot of bad press lately. Mostly because of things like this:

A female fan told Didio that she counted and out of the twenty-eight solo character titles only six were women and only two were not connected to older male superheroes. “How do you justify calling that diversity?” the fan asked as the audience cheered. Didio told her it was an industry problem and then dodged the question, calling on the next fan.

DiDio then asked, "what would we have to do to change your mind?" The suggestion "Hire women!" got loud applause. When the fan asked why the rate of women in credits had gone from 12% to 1%, DiDio pressed him for names of who DC should hire. The fan's suggestion was "Valentine" writer Alex De Campi, and other suggested Nicola Scott.

A fan dressed as Batgirl who had been at every DC panel over the weekend asked whether the publisher was committed to hiring more women. Didio said that they were working to put the best talent possible on the books. Morrison asked, "Do more women want to write DC superheroes?" and when many female fans responded "Yes!" he simply added "Then send your stuff in."

Items like these have prompted DC to post this response on their official blog.

I understand that people want to see more female creators in the comic industry, especially the big publishers (Marvel and DC). And I think it's great that DC actually seems interested in trying to get more female creators in their ranks. The big, burning question I have is: Why is no one demanding the same of Marvel? Marvel has very few female creators in their regular ranks, yet no one is making a big deal about that fact.

Why? Is it because Marvel has fewer recognizable female characters? Is it because Marvel's female characters tend to be parts of groups, and very rarely have their own running series? Even if that is the case, there is no reason why female creators can't work on a series starring a man or a group. The female characters = female creators logic that is being thrown about is just absurd.

I'm all for female equality in every form. I truly believe that there should be more focus on female characters, and I believe that there should be more female creators in the industry. What I don't understand is why no one has confronted Marvel about their "commitment to diversity." Marvel has some truly great female characters (Storm, Ms. Marvel, She-Hulk, Nico Minoru), yet none of them have their own solo books at the moment.

And while we're at it, where are all the gay characters? DC's doing an okay job in that respect (Batwoman, Midnighter, Apollo).

The final quote above, from Grant Morrison ("Do more women want to write DC Superheroes? Then send your stuff in.") is a little unfair, considering "DC Comics does not accept unsolicited artwork or writing submissions." (Link)

Comics Reviews: Week of July 27th, 2011

A bit of foreword: This is the first venture of a new weekly column wherein I read and summarize/review the comics that I get every week. Since this is the first time I've done this, it'll probably need a lot of work. These reviews will be mostly spoiler-free and quick. Many stories will be re-read and re-reviewed in trade format (sometimes it's easier to understand the entire story when you can read it all at once).

I don't buy comics in a timely manner, so some of the books may not have been released the week of the review. And yes, there is a large focus on DC Comics at the moment. But I do stray. If you have any suggestions of titles, I'd love to hear them.

Now, let's get started!

For reviews of Wonder Woman related comics from July 27th, 2011, check out Champion of Themyscira, my Wonder Woman blog. Two issues were reviewed: Wonder Woman #613 and Retroactive: Wonder Woman - The 1970s.

Zatanna #15
Written by Derek Fridolfs
Art by Jamal Igle (pencils), John Dell (inks), John Kalisz (colors), Pat Brosseau (letters), and Adam Hughes (cover)
Witch Hunt
Released July 27th, 2011
DC Comics
Rating: 4.5 out of 5

Zatanna's voice is taken out of commission*, and she must rely on her wits and non-magical training in order to take out a group of Hunters (people who hunt and destroy "Warlocks, vampir, werebeasts, sasquatchen" and witches).

It is pretty fantastic to see Zatanna not rely on her magic and still manage to kick ass. I've always felt that Zatanna was an oft-overlooked character in the DC Universe (they tend not to focus on the magical aspects of their universe). But this Zatanna solo series has never disappointed me. While the writers and artists have changed, the quality of this series has never dropped. Fridolfs' writing is clever and the story is engaging. Igle's art truly captures the magic of Zatanna. It's nice to have a book that is so consistently good that you never worry about picking up an issue. This series will be sorely missed when it ends next month. Hopefully, the DC higher ups will find a place for a new Zatanna solo book.

* For those not familiar with Zatanna's power base, she tends to cast spells by saying phrases backwards. It has been shown that she is able to perform some minor magic without the help of her voice.

Flashpoint: Lois Lane and the Resistance #02
Written by Dan Abnett and Andy Lanning
Art by Gianluca Gugliotta (pencils, inks), Hi-Fi (colors), Dave Sharpe (letters), Eddie Nunez, Sandra Hope, and Hi-Fi (cover)
Live and Exclusive
DC Comics
Released July 27th, 2011
Rating: 3.5 out of 5

I'm not reading all of Flashpoint. In all honesty, I don't care about most of what is going on. The two things I do care about are the Amazon v. Atlantean war and all of its ramifications, and the magical aspects of the DCU. Flashpoint: Lois Lane and the Resistance takes place behind the Amazon's lines. In issue one, we saw how Lois came to be in the position she was in, as a woman taken hostage by the Amazons. In issue two, we meet up with the Resistance. This group, including Grifter, Canterbury Cricket, Godiva, The Demon Etrigan, and Hyde, fight through a contingent of Female Furies (from New Themyscira, not from Apokolips). Both the Amazons and the Resistance are looking for the Royal Navy's prototype technopathic Britannia weapon suit. The Resistance discover the location of the suit; however, before they make it, one of their own turns them in to the Amazons.

I really enjoy Dan Abnett and Andy Lanning's writing. They balance all the elements of the story very nicely, without making it seem dull or overly serious. It takes a talented writer (or team) to pull off making jokes during serious moments. The art is, for the most part, very beautiful. It has a very painted feel to it. My biggest complaint with the art was the outfits the Amazonian Furies were in. When we see them briefly in Flashpoint: Emperor Aquaman #02, they are clothed in their normal costumes. In this issue, they are far more scantily clad (except Hawkgirl and Artemis), with many of them barely wearing a small piece of fabric. I don't know if that was the choice of Gugliotta or the editors. Either way, it was distracting and unnecessary. Also, there is a scene in flashback where you seem Amazons descending on Trafalgar Square. And they're doing it literally, descending. None of the Amazons, other than Diana, have ever had the ability to fly. Yet here they are, flying. I do not understand, and there is no explanation.

I did enjoy getting to see two of my favorite characters in a minor cameo. Kate Kane (Batwoman) and Zinda Blake (Lady Blackhawk) appear in Grifter's flashback about the first time he met Penny Black.

While I found this issue enjoyable, I am very glad there is only one more issue of this series (and many of the Flashpoint series). Honestly, the more of Flashpoint I read, the more excited I am about the New 52 coming in August/September.


More reviews coming soon!

Marvel Comics...?

I just looked through the Marvel Comics solicitations for October, and I was reminded of something. I can't remember the last time I was excited for a Marvel book. It was probably while Joss Whedon was on Astonishing X-Men or Runaways. Or possibly the Cosmic books, pre-War of Kings.

There were only two items in the solicits that I will definitely buy. The Dr. Strange Strange Tales TPB and Annihilators: Earthfall #2 (the last vestiges of Marvel's cosmic universe).

I'll read Astonishing X-Men #43, since it's a done-in-one story dealing with something set up during Joss Whedon's run. But this book has steadily dropped readability since the end of Joss' run. Warren Ellis and Simone Bianchi were great choices to take over after Joss and John Cassaday left. And Phil Jiminez was an understandable choice once Simone Bianchi left. But Daniel Way? Hardly a name that'll draw people to the book. He's certainly been prolific, and not a lot else.

I'll also read X-Men: Schism, Uncanny X-Men, and Wolverine and the X-Men, but I doubt I'll enjoy any of them. For the past few years, I've been reading X-Men, and then immediately forgetting them as soon as I put the book down. Remember when the X-Men were awesome? Yeah, so do I.


What happened to Marvel? I remember when they were a majority of my pulls every week. I guess it's event fatigue. Every time I turn around, they have another event happening. House of M (which was great) to Civil War (which was good) to Secret Invasion (which was an interesting concept but only mediocre in execution) to Dark Reign (no) to Siege (that was a thing, right?) to Fear Itself (hammers for EVERYONE!!). They totally destroyed my favorite Marvel series before canceling it (Runaways). They canceled two series that I always enjoyed (Ms. Marvel and She-Hulk). Where has Doctor Strange been? And the cosmic stories? They had been amazing, and now....it's like they've forgotten things happen in space.

Most importantly (to me), marrying Storm to T'Challa was not something that ever bugged me. But when they took the marriage as an excuse to almost never have Storm anywhere, I was bugged. MORE STORM!

/rant

The Buffyverse

Buffy Season 09 comics are set to start in August, and this time we're getting two comic series.

August 31st will see the first issue of Angel and Faith, written by Christos Gage with art by Rebekah Issacs.


I've been trying very hard to avoid spoilers for any of the Buffy related comics, but I was very curious about two things. Is Angel and Faith a team-up book, or just a place to share both of their stories? And, how important will the Angel comics from IDW be in this new series? Judging from some of the initial artwork released, team-ups will not be out of the question. Scott Allie, editor of the Dark Horse Buffy line, has said "All the Angel IDW comics count, but they aren't gonna spend time nitpicking with the details," whatever that means. I may actually need to go try to read the Angel comics, which had bored me last time I tried to read them.

I am not greatly familiar with Christos Gage or Rebekah Issacs, so I have no pre-existing bias towards or against either of them. That's great for a series based on my favorite television show.

The same cannot be said for Georges Jeanty. I read all of season eight of Buffy, and I've seen his artwork elsewhere, and I think it is terrible. Okay, maybe not terrible, but very ill-suited to Buffy. The way he draws faces makes me wonder if he's ever seen another human being. Most of the time. Sometimes, he surprises me, and I'm hoping season nine will be full of good-art surprises.


What doesn't surprise me is that Jo Chen is back on covers. Her work has been nothing short of spectacular.

The first Buffy story arc is written by Joss Whedon and Andrew Chambliss. I didn't think that I was familiar, since his name is usually followed by The Vampire Diaries, a show I haven't watched. But he's written for another Joss Whedon project, Dollhouse (which I absolutely love, despite the bad press). I will be very interested to see how he works in the Buffyverse.

Actually, I'm just really interested to see where the Buffyverse is going. Season eight was pretty disappointing (especially towards the end). Hopefully this season will be more like what we all know and love from Buffy.

Both of these series are set to run for 25 issues (50 glorious issues!). While both of these series will compliment each other, neither is necessary to understanding the other. So, if you only like Angel and hate Buffy, you can ignore Buffy season nine, apparently. Though, why would you?

Angel and Faith #1 comes out August 31st (the same day as DC's new Justice League of America #1). Buffy Season Nine #1 is scheduled for September 14th (the same day that Batwoman's solo series finally starts).

New Intent? And Wonder Woman, Pantless!

I need somewhere to share my thoughts about the happenings in the comic book world, and I think people are sick of it on my Facebook. Then I remembered I have this blog!

Perhaps discussing comic related news and information will make me more likely to return to reviewing comics. We'll have to see.

For now, I start with a comment.

DC. Do you know how a costume becomes iconic? It starts with not changing your mind about it every year. Sure, people didn't like Wonder Woman with the pants. But you know what? It worked. She was far more believable as a warrior and as a woman. How many women do you know that would go to battle, or anywhere other than the beach, in the outfit you have Wonder Woman in? You shouldn't have backed down on the pants. People would warm up to them. And given time, it could have become more iconic than the bathing suit.


This is the originally solicited image for the cover of Wonder Woman #1 after DC's big reset (or whatever). Art by Cliff Chang. I wasn't terribly fond of this take on the outfit, but I was glad that she was still wearing the pants. However, when official preview artwork started making it's way out, we were treated to a much different image.


Why did they change their mind? It's probably because "fans" hated the new costume, hated their "beloved" character wearing PANTS! "Wonder Woman would never wear pants!" [Actual quote from a CBR forum member]. Wait, what? She'd never wear pants?

The truth is, the people in charge of DC Comics have never known what to do with the character of Wonder Woman. And this is just another example of them worrying more about what she looks about than telling good stories.

Sometimes, DC makes it really difficult to be a Wonder Woman fan (though I will never give up on her).

New Blog!

I have just started yet another blog, Champion of Themyscira! This blog will focus solely on Wonder Woman and her life and adventures. She is my favorite comic book character, but I have only read a small portion of her stories. I will be reading and reviewing every issue of her solo series, as well as Sensation Comics and other appearances. I'll also post news, articles, previews, and other information about Wonder Woman there, as well as reviewing anything I read with her in it.

As such, I have moved my Wonder Woman related posts from this blog to the other blog. All the non-Wonder Woman news and reviews will still stay right here!

The One Story Arc Test

I love comic books. That's fairly obvious from the fact that I run this blog. Unfortunately, I do not have the time or money to read every comic that is released (I can't even read all the good ones). Therefore, I came up with a self-imposed rule. When a series starts or changes creative teams, if I am drawn to it in any way, I give it the One-Story Arc test. I will purchase and read one entire story arc of the series. If the series can't grab me after that, it's unlikely I'll ever bother reading it. If I enjoy it, I'll continue reading it. Pretty simple.

I know other people have similar rules. Some people have a one-issue rule. I don't feel that one issue is enough to really decide if you like a story or not. It's akin to only watching the pilot episode of a television series before deciding you really don't like it. Give it a fair chance!

Justice League: The New Frontier (Two-Disc Special Edition)

Justice League: The New Frontier is a DC Universe Animated Original Movie based on Darwyn Cooke's DC: The New Frontier. Following the same general story line, Justice League: The New Frontier tells of the DC characters in the 1950's, when masked heroism is considered a crime against America. That all changes when an ancient power known as The Centre rises and threatens to eliminate all life on Earth.

Like any adaptation of a long story, this movie is the bare-bones version of the story. It's understandable, really. In comics, you have a series of issues to tell an entire story. In films, both animated and otherwise, the plot has to be boiled down to just the essentials to fit in a shrunken time-span. That being said, Justice League: The New Frontier tends to omit some of the best aspects of DC: The New Frontier, while still managing to keep the story flowing in a captivating and enthralling manner.

The animation quality of this movie is fantastic. Judging from the quality of all previous DC animated series, that is to be expected. But Justice League: The New Frontier takes it a step further. The animation studio beautifully adapted Darwyn Cooke's artistic style for the animated medium. There is a nice mix of classic 2D animation with just a touch of 3D thrown in to add depth. They even went as far as including original artwork from the comic series in the main title sequence.

For the most part, the voice acting was a real treat. When you have talent like Kyle MacLachlan (Superman), Lucy Lawless (Wonder Woman), Jeremy Sisto (Batman), Neil Patrick Harris (The Flash), and David Boreanaz (Green Lantern), you expect them all to bring their A-Game. Some, like Harris, Sisto, and MacLachlan, were incredible in their roles. As a Wonder Woman fan-boy, I was especially impressed with Lucy Lawless. However, some of the roles were lacking. David Boreanaz seemed bored and unconvinced that playing Hal Jordan was worth his time. Most of the lines were delivered very flat, almost as if Boreanaz didn't start to care for the role until the end of the movie. Still, this didn't detract from an otherwise stellar cast.

The music, done by Kevin Manthei, is perhaps the best featured thus far in any DC Animated movie. Anyone familiar with Kevin Manthei's scores knows that he never disappoints. His music in Justice League: The New Frontier is no exception. He blends his typical techno-horror with just enough of the 1950's to make it fit right in. I had been hoping for an isolated film score track on the DVD, but there isn't one. However, La-La Land Records released Kevin Manthei's score on CD.

While the story follows from DC: The New Frontier pretty well, they only got the gist without getting most of the depth. The film doesn't have the nuances of character development that the books carried across beautifully. In comics, we are privy to the innermost thoughts of the characters. In DC: The New Frontier, it is an important tool for character development, plot development, and motivation. The movie chooses to forgo the thoughts, and at times, it leads to confusion and plot holes. There are moments where, had I not read DC: The New Frontier, the movie would have left me scratching my head. It would have been much improved from the simple addition of voice-overs for the characters thoughts.

As I said, the source material has to be cut down to make the movie fit into the allotted time. This can lead to some pretty big plot holes (like the explanation for why The Flash was being hunted by the government). Sometimes, information which was very important in the book is merely breezed over in such a way that casual viewers may miss it (i.e., the dinosaur island at the beginning, the plight of John Henry, and J'onn's discovery of the humans fear of martians). For the most part, however, it doesn't effect the story. The overall theme of the story remains entirely in tact (though, I did miss the casual appearances from other DC characters, such as Selina Kyle, Dinah Lace, et cetera).

Overall: While not as good as the source material, Justice League: The New Frontier is certainly an entertaining and enjoyable movie. The artwork, based on Darwyn Cooke's art, is very evocative of the 1950's. The music and the voice acting both make for one of the best DC Animated features thus far. This is certainly a movie that any fan of DC Comics, DC: The New Frontier, the Justice League, or comics in general would enjoy.

I am very impressed with these DC Animated Universe movies as a whole. Instead of doing nothing but rehashed origin stories in animated form, DC has the guts to actually animate some of it's most popular stories (starting with The Death of Superman in Superman:Doomsday, to this, and many to come). I hope they'll continue this pattern, and perhaps start animating things like Crisis on Infinite Earths, Identity Crisis, 52, and so on. Perhaps Marvel will one day follow suit.

DVD:
Packaging -
I purchased the two-disc special edition of Justice League: The New Frontier. The artwork on the front of the case and slipcase is a beautiful piece of Darwyn Cooke artwork, created specifically for this movie. The back features images from the movie itself. The case is nothing particularly special. The case itself is a standard DVD case with two discs.

Special Features -
Disc One: Two Audio Commentaries (one with the filmmakers and one with the original writer/artist, Darwyn Cooke), a 10 minute sneak peek at Batman: Gotham Knight (much like a documentary, it features interviews about Batman, his history, and the movie itself), and an incredibly interesting and enjoyable 40-minute documentary about the history of the Justice League titled Super Heroes United!: The Complete Justice League History, featuring many people involved in the comic book industry. This documentary features some key insights by Darwyn Cooke into the creation of the original comic work.

Disc Two: The Legion of Doom: The Pathology of the Super Villain (33 minute documentary about the villains of the DCU and their nature), Comic Book Commentary: Homage to the New Frontier (10 minute featurette about adapting the comic book to a movie), and three episodes of the Justice League cartoon series that accent the story of The New Frontier (episodes Dark Heart, To Another Shore, and Task Force X).

Justice League: The New Frontier is available in a single-disc DVD, two-disc special edition DVD, and Blu-Ray disc at retailers such as Amazon and any other video retailers.

DC: The New Frontier

DC: New Frontier
Issues 01 - 06 [Prestige Format]
Written by Darwyn Cooke
Illustrated by Darwyn Cooke
Coloring by Dave Stewart
Published March 2004 - November 2004

In DC: The New Frontier, Darwyn Cooke takes us to an alternate 1950's. Masked heroes have been labeled vigilantes, “a federal offense, akin to treason.” The Golden Age heroes, the Justice Society of America, have removed themselves from the public spotlight, rather than reveal their identities and swear loyalty to American administration. Only Superman and Wonder Woman have taken the oath. But, when humanity is faced with possible annihilation, can the new generation band together and save the Earth?

At this point in the comic artform, a story where heroes are labeled vigilantes may seem a bit clichéd. However, Darwyn Cooke's exploration of the 1950's through the perspective of super heroes and war heroes is a fresh take on what many see as a played out story. The use of characters throughout DC's history, including the JSA, the Blackhawks, the Suicide Squad, and the characters that eventually make up the JLA, allows Cooke to show the same essential story through many different archetypes. This story is much more interesting and well-written than many previous stories of this caliber that I have read.

When I first started reading DC: The New Frontier, I expected the characters to be simple caricatures of themselves, echoes of what they once were. What I found instead were characters who knew who they were and what they stood for. Cooke managed to stay true to the characters, while placing them perfectly in the settings that surrounded them.

Superman shows his rural-raised sensibilities in his willingness to fight for America, while still proving he has a definite sense of what is right and wrong. Wonder Woman is depicted as a true Amazon warrior, a rare thing for her character. Intelligent, strong, battle-ready, and confident, Wonder Woman is depicted as who she was meant to be, not a cheap bastardization of herself (as tends to be the case with most representations of the Amazing Amazon). The Bat-Man was everything he should be. Terrifying, blunt, determined, intelligent, and an amazing detective. Even the characters newer to the scene of hero-ing, such as Barry Allen, Hal Jordan, and J'onn J'onzz knew when to stand and fight for what they believed in.

The character development in this story-line is something that can only be achieved by a truly great writer. Characters like Superman, Wonder Woman, and The Bat-Man, who have all clearly been around for years at this point, all manage to be who you expect them to be. It's the newer characters that provide the most interesting character developments. I like Hal Jordan being unwilling to kill for his country. It sets up from an early point the fact that he has his own idea of what morality is, and does not break it. Cooke even discusses what it would take to get Hal Jordan to kill. All of this is long before he ever takes up the mantle of Green Lantern. J'onn J'onzz has a different path. He comes to Earth entirely by accident and finds himself enthralled with the planet and its creatures. That is, until he discovers the prejudice that is overwhelming America at the time, and the fear most Americans feel towards the idea of Martians.

Darwyn Cooke's artwork, with the help of Dave Stewart's coloring, is beautiful and lush. The artwork is particularly exceptional when it comes to bringing to life the 1950's in which our heroes find themselves. Darwyn Cooke's art has always had a retro-50's feel to it, in my opinion. Setting a story in the 1950's just seems a logical step for him.

This story does seem to draw inspiration from other stories. The obvious example is Watchmen. Generally considered to be one of the greatest pieces of comic book history, it's hard for anyone post-Watchmen to not draw on it in some way. For DC: The New Frontier, it can been seen in both the treatment of the heroes as criminals and nutcases to the giant monster being the catalyst to bring the world together. The Centre (the giant monster in question) also reminds me a lot of the Cthulhu mythos. The being seems to cause hysteria and insanity in anyone who is mentally attuned enough to be effected by it. The Centre, much like Cthulhu, has also had many cults around the world as followers. Despite these similarities, DC: The New Frontier manages to mold the inspiration from these other stories into a new and exciting form.

Overall: I found DC: The New Frontier to be quite an amazing read. The writing and character development are superb. The artwork beautifully captures the era. The combination of these elements makes for an exciting and enjoyable twist on what could be seen as a stale plot-device in comics.

Availability: I've found that the single issues can be a slight challenge to find, though they are available online, and not too expensive. Check retailers like MyComicShop and Demolition Comics for single issues. The series was also released as two trades, currently available at most bookstores (including Amazon, Borders, Barnes & Noble), as well as the comic retailers listed above.

Also available is an Absolute Edition DC: The New Frontier. This version is generally harder to find, and certainly most expensive than the other versions available. I've seen a few high priced copies available online at places like Amazon and eBay. I'm fairly certain the Absolute Edition is out of print, which may explain the high cost of these copies.

Also check out:
If you like Darwyn Cooke's work, check out:
Superman Confidential HC Vol. 1 with Tim Sale
Batman: Ego and Other Tails with various writers and artists, a collection of Darwyn Cooke's work on both Batman and Catwoman, including Selina's Big Score.
Catwoman (Volume 2) TPB Volume 1: The Dark End of the Street, the first issues of the second volume of Catwoman, following the events of Selina's Big Score, with writer Ed Brubaker.

If you like DC: The New Frontier, check out:
Justice League: The New Frontier Special
Just League: New Frontier animated movie

If you like stories about heroes being treated as vigilantes by the government, check out:
Watchmen by Alan Moore and Dave Gibbons
Marvel Comics Civil War storyline, by various writers and artists.

Batman: Gotham Knight (Two-Disc Special Edition)

Batman: Gotham Knight is an animated film comprised of six vignettes meant to bridge the gap between Batman Begins and The Dark Knight. Each vignette tells an independent aspect of the overall story: Batman's battle with the mobs in Gotham City, as well as various villains from the Batman universe. This movie is very similar to what was done for The Animatrix. Each of the short stories in the film is animated by a different Japanese anime studio.

Story One: Have I Got a Story For You
The first story was animated by Studio 4°C (Tekkon Kinkreet, Transformers Animated, Hikaru Utada's Passion music video). In this vignette, three kids share their individual experiences witnessing the Batman fighting a "man in black" around town to a fourth kid. As they share their experiences, each kid builds on the previous story, sharing what happened earlier.

I'm not generally a big fan of Studio 4°C's animation style, and this is no exception. The non-human aspects of the story were beautiful. The humans, however, looked strange and gaudy. Batman, at times, looked like a bloated old man, hunched over. The story, written by Josh Olson (A History of Violence), made the animation worth watching. It was interesting to see how each of these teenagers interpreted the Batman when they saw him. Each interpretation was vastly different from the others (a vampire-esque shadow, a bat in the style of Man-Bat, and a robot). He was almost mythical to these kids. At the end, the kids see the real Batman, and it becomes clear that Batman is none of the things the kids described, and all of those things.

This story was a strong opening to the Gotham Knight disc, and certainly piqued my curiosity in the rest of the disc.

Story Two: Crossfire
Crossfire was animated by Production I.G. (Ghost in the Shell, Blood+, xxxHolic, FLCL). Batman has captured the man in black from the first story, and left him in the hands of the Gotham City Police Department. Anna Ramirez and Crispus Allen, en route to return the man to the penitentiary, discuss the Batman. When they arrive, they end up caught in the middle of a mob battle.

The animation for this story was much better than the first. Anyone familiar with Production I.G. (and if you've watched anime, you're probably familiar with them) knows that their art is very clean and beautiful. I was impressed with the voices for Ramirez and Commisioner Gordon, while Allen's seemed a little stale. The discussion in the car between Ramirez and Allen showed the dichotomy of opinions of the Batman. Allen doesn't support this vigilante; however, Ramirez, who grew up in Gotham, says she sees the difference he's making.

This story was written by comic veteran Greg Rucka. As such, it has the same feel as the Batman comics, which I really enjoyed. Also, a huge geek nod: when Allen and Ramirez are caught in the crossfire and calling for backup, they say they're on the corner of O'Neil and Morrison. This is a reference to comic legends Denny O'Neil and Grant Morrison.

Story Three: Field Test
Field Test is animated by Bee Train, perhaps best known for their work on Tsubasa Chronicle, Madlax, and various .hack series. Lucius Fox has worked out some technology to make a bullet-proofing mechanism for Bruce. In his first field test for the technology, it works as intented, but deflects a bullet into someone standing nearby. Batman, well-known for his distaste of guns, resolves not to use the technology.

This segment was written by Jordan Goldberg. I'm not familiar with him, and after some research I came across nothing else that he's written (though he is credited as Associate Producer on both The Dark Knight and The Prestige). As such, I was impressed with the writing in this segment, especially for someone who doesn't have a list of writing gigs under his belt. There was one line in particular that I felt gave very good insight into the character of Batman. You'll know it when you hear it.

Story Four: In Darkness Dwells
Animated by Madhouse (Black Lagoon, Death Note, Claymore, Ninja Scroll), one of the most popular anime studios in Japan, this segment featured the sleekest animation. Batman is searching for a man who was kidnapped. His quest leads him to the sewers of Gotham City, where he runs across Killer Croc and Scarecrow (who has a sizeable following). Batman gets a dose of the Scarecrows fear toxin; still, he manages to rescue the man he was sent to rescue, albeit not unscathed.

In Darkness Dwells was written by David S. Goyer, who wrote the screen plays for both Batman Begins and The Dark Knight. This is the segment that seems to bridge the two live-action movies the most. The batsuit in this segment also looks the most like Christian Bale's batsuit.

The writing in this segment was very good. There were a number of memorable exchanges, as can be expected from David S. Goyer. The animation had its good and bad aspects. Madhouse is a great animation studio. The backgrounds of the sewer were surprisingly detailed. The character designs were, for the most part, interesting interpretations of the characters. I especially liked the look Madhouse gave the Scarecrow. However, Killer Croc looked very strange. I spent more time trying to convince myself that it was supposed to be Killer Croc than paying attention to his battle with Batman.

Story Five: Working Through Pain
This segment, also animated by Studio 4°C, is told mostly through flashback. In the present, a very wounded Batman is trying to escape the sewers. While doing so, he flashes back to events that lead him to being able to work through pain. First, we see Bruce Wayne volunteering with a relief organization. Then, we see him attempting to join a religious sect known as the fakir in an attempt to learn to minimize pain. Though they don't accept him, he learns the techniques from a former student of the fakir. Bruce learns to lessen the physical sensation of pain to a controllable point. But, his lessons end when a gang comes to assault his teacher, and he fights back. In the present, as Batman is making his way out of the sewer, he discovers a surplus of guns in the garbage around him.

Written by comic veteran Brian Azzarello, this segment was my favorite. The animation, though done by a studio of which I am not fond, looked very crisp and colorful. Even their designs for people, usually my biggest complaint about Studio 4°C, were human looking, and not caricatures of humans. The story fills in some gaps from the time between Bruce Wayne leaving Gotham and returning to Gotham to become the Batman.

Story Six: Deadshot
Also animated by Madhouse, this story is the finale of the Gotham Knight film. Bruce Wayne flashes back to the murder of his parents, as Alfred asks what he plans to do with the guns found in the previous segment. Assassin Deadshot is hired to end Jim Gordon's life, and Batman is called in to stop it.

Deadshot was written by Alan Burnett, who is no stranger to the Dark Knight. He's written a number of Batman animated series episodes over the years. This finale to Gotham Knight is, for me, all about character development. Everyone knows that Batman doesn't use guns. In this segment, he actually discussed why that is the case. That battle with Deadshot was very exciting to watch, and helped further Batman's character development in its own way.

Overall: I really enjoyed Batman: Gotham Knight. There were a few plot holes that I noticed, but they didn't detract from my enjoyment of the film. I highly recommend this to hardcore Batman fans. The casual viewer of Batman may enjoy this film; but, a lot of it seems to play to the hardcore Batman-philes. Anime fans would also really enjoy this film, as it's some of the best work from some of the best anime studios.

DVD:
Packaging -
I purchased the two-disc special edition version of this film. As a special features junkie, I like to get more bang for my buck, as it were. The packaging is pretty cool. The slip case features a cut out of Batman, which opens to reveal a holographic image behind it. The case it self is a standard DVD case with two discs inside.

Special Features -
Disc One: Audio Commentary by Gregory Noveck (Senior VP of DC Comics), Dennis O'Neil (long-time writer of Batman), and Kevin Conroy (voice of Bruce Wayne/Batman in Batman: Gotham Knight), sneak peek at Wonder Woman animated movie, and trailers for The Dark Knight, Journey to the Center of the Earth, Lego Batman video game, and Popeye the Sailor 1938-1940 DVD collection.

Disc Two: Two documentaries and Episodes from Batman the Animated Series
A Mirror for the Bat: The Evil Denizens of Gotham City - This documentary discusses Batman's Rogue's Gallery of villains, including their origins and insights into their characters, as well as Batman himself. It features interviews from many people involved in Batman over the years, including DC Editor Dan Didio, Writers Denny O'Neil, Brian Azzarello, and Greg Rucka, as well as many others. It features footage from Batman: Gotham Knight, as well as all animated incarnations of Batman, and artwork from Batman comics over the years. This 35-minute documentary is a very interesting watch, and at no point did I feel bored. As a long time Batman fan, I enjoyed hearing what people involved in writing the Batman over the years had to say about his villains. It's also a good watch for people unfamiliar with Batman comics, as it shares a lot of information about the villain's histories.

Batman and Me, A Devotion to Destiny: The Bob Kane Story - As a Batman fan, I was amazed to see just how little I knew about Bob Kane, the creator. This 38-minute documentary was a testament to the man behind Batman, and his life. I highly suggest this documentary to new and old Batman fans alike.

Four Episodes from Batman the Animated Series Hand Picked by Bruce Timm (Producer for both Batman: Gotham Knight and Batman the Animated Series) Anyone familiar with Batman the Animated Series knows in advance that these episodes are awesome. Batman the Animated Series is one of the greatest cartoon series of the 1990s. The episodes included are:
Legends of the Dark Knight
Heart of Ice
Over the Edge
I Am the Night

Two-disc DVD Special Edition, Blu-Ray, and Single-disc DVD editions available at most retailers, including Amazon, Best Buy, Target, and wherever DVDs and comic books are sold.

Batman: Ego and Other Tails

I just read most of Batman: Ego and Other Tails, DC's collection of Darwyn Cooke's work with the Batman franchise. This hardcover trade features Batman: Ego, Catwoman: Selina's Big Score, and many smaller works by Darwyn Cooke.

Batman: Ego was very interesting. It featured Bruce Wayne and Batman talking after Bruce/Bats suffers a traumatic experience. It showed in very clear light the dichotomy between the characters and Bruce and Batman.

"Here Be Monsters" (from Batman: Gotham Knights #23, and part of the Batman: Black and White series) was a very quick read (only about four or five pages). "The Monument" (from Gotham Knights #33, and also a part of Batman: Black and White) was the better of the two Black and White stories.

I loved "Date Knight" (with artist Tim Sale, from Solo #1). I'm a huge Tim Sale fan, and I love the way he draws Catwoman. This story was very cute, and showed the playful side of Catwoman that I love so much. "Deja Vu" (from Solo #5) was a good read, and did not have a single line from Batman.

I did not read Catwoman: Selina's Big Score. This story makes up a large portion of this collection (it was originally a graphic novel, not a single comic issue). I chose not to read it because it is the bridging story between the end of the Catwoman (1993) series and the beginning of the current running Catwoman (2002) series. I am in the process of reading through Catwoman (1993), and I will read Selina's Big Score once I finish it.